Zlatá Pecka [Golden Stone (as in stone fruit)] music festival
Final Concert
Bach, Handel and others performed by exceptional young artists.
George Frideric Handel:
“Sibilar gli angui d’Aletto” from the opera Rinaldo
Georg Philipp Teleman: Recorder Concerto in F major George Frideric Handel: Nero’s Aria from the opera Agrippina
George Frideric Handel:
“Comfort ye / ev’ry valley” from the oratorio Messiah
Pavel Nesit: Concerto for Clarinet and Chamber Orchestra
Antonio Vivaldi:
Concerto for Two Recorders and Orchestra in C major
—— intermission —— George Frideric Handel: Water Music – Suite No. 1 in F major (selection)
George Frideric Handel: Aria “Ciel e terra armi di sdegno” from the opera Tamerlano
George Frideric Handel: Aria “Di Cupido impiego i vanni” from the opera Rodelinda
George Frideric Handel: “Why do the Nations” from the oratorio Messiah
Johann Sebastian Bach: Aria “Erbarme Dich, mein Gott” from the St. Matthew Passion
Johann Sebastian Bach: Concerto for Two Violins and Orchestra in D minor
Robin Červinek (baritone)
Eduard and Richard Kollert (violin)
Matěj Kotal (clarinet)
Anna Moriová (mezzo-soprano)
Manuel Ried (tenor)
Karolína Valentovičová (recorder)
Klára Valentovičová (flute, recorder)
Pardubice Chamber Philharmonic
Stanislav Vavřínek (conductor)
Sunday, 7th September 2025 from 7:00 p.m.
Suk Hall of the House of Music in Pardubice
George Frideric Handel (1685‒1759): Sonata op. 2 no. 3 in F major (London 1733)
Josep Pla i Agustí, Joan Baptista Pla i Agustí (ca. 1750): Sonata no. 6 in E flat major
François Couperin (1668‒1733): from ‘La Françoise’ (Les Nations, Paris 1726): Sonade in E minor
Antonio Vivaldi (1678‒1741): Sonata à 4 in C major RV 801
Jan Dismas Zelenka (1679‒1745): Sonata no. 2 in G major (Prague/Dresden, c. 1723) ZWV 181/2
Ensemble Zefiro (Italy):
Alfredo Bernardini (baroque oboe)
Paolo Grazzi (baroque oboe)
Alberto Grazzi (baroque bassoon)
Paolo Zuccheri (violone)
Anna Fontana (harpsichord)
Saturday 13th September from 7:30 p.m.
Church of Our Lady of the Rosary, Žižkova třída, České Budějovice
Klášterní hudební slavnosti (Monastery Music Festival) 2025
Long live Handel
Franz Johann Xaver Wenzel Habermann's musical themes in the works of George Frideric Handel.
F. J. X. W. Habermann: SALVE REGINA ex A G. F. Handel: Anthem 3, HWV 261 – My heart is inditing
F. J. X. W. Habermann: “Nunc dimittis…” G. F. Handel: Concerto grosso op. 6 No. 1 in G major
F. J. X. W. Habermann: MISSA VI, S. IVANI G. F. Händel: Anthem 1, HWV 261 – Zadok the Priest
Veronika Hajičová Vojířová (soprano)
Sylva Čmugrová (alto)
Čeněk Svoboda (tenor)
Štěpán Pokorný (bass)
Musica Florea
Collegium Floreum
Marek Štryncl (conductor)
Sunday 14th September 2025 from 7:00 p.m.
Šumperk, Church of the Annunciation of the Virgin Mary
Musical themes of Franz Johann Xaver Wenzel Habermann in the works of George Frideric Handel.
F. J. X. W. Habermann: Mass for St. John of Nepomuk G. F. Handel: Anthem 3, My Heart is Inditing G. F. Handel: Concerto grosso op. 6, no. 1 in G major
F. J. X. W. Habermann: Mass for St. Ludmila (sheet music published by the South Bohemian Scientific Library) G. F. Händel: Anthem 1, Zadok the Priest
Veronika Hajičová Vojířová (soprano)
Sylva Čmugrová (alto)
Čeněk Svoboda (tenor)
Štěpán Pokorný (bass)
Musica Florea
Collegium Floreum
Marek Štryncl (conductor)
Monday 15th September 2025 from 7:30 p.m.
Prague, Church of the Holy Salvator, Salvátorská 1045, Prague 1 - Old Town
Tuesday 16th September 2025 from 7:00 p.m.
Brno, Hall of the Brothers of Mercy, Vídeňská 228/7, Brno-střed
Thomas Tomkins (1572‒1656): Fancy For Two To Play
Giles Farnaby (ca. 1563‒1640): For Two Virginals
Bernardo Pasquini (1637‒1710): Sonata in D minor
(Allegro / Adagio / Vivace)
Gaspard Le Roux (ca. 1660‒1707): Pieces de Clavecin
(Allemande la Vauvert / Courante / Gigue) Georg Friedrich Händel (1785‒1759): Suite a deux Clavecins(Allemande / Courante / Sarabande / Chaconne)
Johann Ludwig Krebs (1713‒1780): Concerto a duet Harpsichords
(Tempo ordinario / Affettuoso / Allegro)
Vojtěch Spurný (1964): Duettina for two harpsichords
(Disinvolto / Furbescamente / Dondolante / Giocoso / Calmo / Veloce)
Marco Antonio Cesti (1623‒1669): Polifemo, cantata for two violins and basso continuo
“Amante gigante del lido Sican”
Baldassare Galuppi (1706‒1785): Concerto a quattro č.7 A dur
Largo – Allegro – Andante
Domenico Alberti (1710‒1740): La Galatea
Se poi mi scaccia | recitativo
Mira il monte e vedi come alza al Ciel | aria
Fermati, Galatea | recitativo
Sanno san l’arene | aria
Francesco Durante (1684‒1755): Concerto a quattro č.2 g moll
Affetuoso – Presto – Largo affetuoso – Allegro
Giovanni Bononcini (1670‒1747): Polifemo
Pastorela z 1. jednání
Intesi oppur sognai | recitativo
Vanarella, pazzerella | aria
Or che mi sei fede | recitativo
Dieci vacche, otto vitelli | aria
—— intermission ——
Antonio Vivaldi (1678‒1741): Sinfonia in g, RV 157
Allegro – Largo – Allegro
Georg Friedrich Händel (1685‒1759): Aci, Galatea e Polifemo, HWV 72
Mi palpita il cor | recitativo
Fra l’ombre e gl’orrori | aria
Precipitoso nel mar che freme | aria
Impara, ingrata | aria
Affano, tiranno | aria
Luigi de Donato (bass)
Collegium 1704
Václav Luks (conductor)
Tuesday 23rd September 2025 from 6:00 p.m.
National House / Palackého 134, 738 01 Frýdek-Místek 1
Wolfgang Amadeus Mozart:
Cosi fan tutte, KV 588, overture to the opera
George Frideric Handel:
Theodora, HWV 68, aria “With darkness deep”
Alexander’s Feast, HWV 75, aria “War, He Sung, Is Toil And Trouble”
La resurrezione, HWV 47, aria “Per me già di morire”
Saul, HWV 53, aria “Fell rage and black despair”
Messiah, HWV 56, aria “How beautiful are the feet”
Silete venti, HWV 242, aria “Dulcis amor”
Aminta e Fillide, HWV 83, duet “Per abbatter il rigore”
Wolfgang Amadeus Mozart:
Serenade No. 13 in G major, KV 525 “A Little Night Music”
Eva Blažková (soprano)
Petra Musilová (soprano)
Pilsen Philharmonic
Jiří Štrunc (conductor)
Friday 26th September 2025 from 7:00 p.m.
St. Bartholomew's Cathedral, nám. Republiky 41, Pilsen
The non-musical context was an important source of inspiration for Baroque masters – we often encounter, for example, imitations of natural sounds or elements, or attempts to evoke the atmosphere of a particular venue or space. These imitative efforts are particularly characteristic of music composed for opera and theater. The opening concert of the autumn series of Baroque Evenings will present such ‘programmati’ works associated with mysterious nature or court festivities.
Henry Purcell (1659–1695): Suite from Fairy Queen, Z. 629 Georg Friedrich Händel (1685–1759): Suite from Alcina, HWV 34
Jean-Baptiste Lully (1632–1687): Les Plaisirs de l’Île Enchantée, LWV 22
Jean-Baptiste Lully (1632–1687): Passacaille d’Armide from Armide, LWV 71
Francesco Geminiani (1687–1762): La foresta incantata, 1761
Collegium Marianum
Lenka Torgersen (concert-master)
Jana Semerádová (artistic director, flauto traverso)
Thursday 16th October 2025 from 7:00 pm
Strahov Monastery, Summer Refectory
Strahovské nádvoří 1/132, Praha 1
George Frideric Handel: Solomon, HWV 67 (an oratorio)
Nardus Williams (soprano – (Queen of Sheba, Solomon’s Queen, First harlot)
Helen Charlston (mezzo-soprano – Solomon)
Hugo Hymas (tenore – Zadok)
Florian Störtz (bass-baritone – Levite)
Orchestra & Choir of the Age of Enlightenment
John Butt (conductor)
Sunday 19th October 2025 from 7:00 p.m.
Janáček Theatre, Brno
Handel—Porpora—Hasse. Concert for the Czech Medical Chamber.
George Frideric Handel (1685–1759): Rinaldo HWV 7 – Ouverture
George Frideric Handel (1685–1759): Xerxes HWV 40 - Crude furie degli orridi abissi
George Frideric Handel (1685–1759): Rinaldo HWV 7 – Lascia ch'io pianga
George Frideric Handel (1685–1759): Concerto in F major for organ and strings HWV 295 “The Cuckoo and the Nightingale”
Nicola Porpora (1686-1768): Arianna e Teseo – Mira in cielo
Geminiano Giacomelli (1692-1740): La Merope, Act III, Aria Petitide – Sposa non mi conosci
Johann Adolf Hasse (1699-1783): Symphony in G minor Op.5 No.6
Johann Adolf Hasse (1699-1783): Marc Antonio e Cleopatra – Morte col fiero aspetto
Vojtěch Pelka (countertenor)
Adam Suk (organ)
Barocco sempre giovanne
Tuesday, November 4, 2025 from 7:00 PM
Suk Hall of the House of Music, Sukova třída 1260, 530 02 Pardubice I
A play about the power of art and the fragile line between reason and madness reminds us that when the muses speak, weapons are silent.
A drama performance featuring Handel's music.
Claire van Kampen: Farinelli and the King (in Czech)
Music can sometimes do what no medicine can do – calm the chaos in the head and bring peace. This is exactly what happens at the court of King Philip V of Spain, who closes himself off from the world, sinks into dark states, and refuses to hear what is really happening in the country. The desperate Queen Elizabeth brings Farinelli to the court – a singer with a range so unprecedented and a voice so captivating that he awakens in the king something that doctors have failed to do – the desire to live.
Last four performances. Magdalena Kožená in title role.
George Frideric Handel: Alcina, HWV 34 (opera seria)
Magdalena Kožená (mezzo-soprano – Alcina)
Jiří Heřman (director)
Collegium 1704
Václav Luks (conductor)
Monday 17th November 2025 from 5:00 p.m.,
Wednesday 19th November 2025 from 6:00 p.m.,
Sunday 30th November 2025 from 5:00 p.m.,
Tuesday 2th December 2025 from 6:00 p.m. (closing night)
Janáček Theatre, Brno
Premiére 11. 4. 2026. Tickets are selling out fast…
George Frideric Handel: Agrippina, HWV 6 (opera seria)
Pavla Vykopalová (soprano – Agrippina)
Martin Glaser (director)
Collegium 1704
Václav Luks (conductor)
Saturday 11th April 2026 from 6:00 p.m. (premiere),
Saturday 18th April 2026 from 6:00 p.m.,
Sunday 19th April 2026 from 5:00 p.m.,
Sunday 10th May 2026 from 6:00 p.m.,
Saturday 30th May 2026 from 6:00 p.m.,
Sunday 31st May 2026 from 6:00 p.m.
Janáček Theatre, Brno
Jan Dismas Zelenka (1679‒1745): Missa Circumcisionis, ZWV 11 George Frideric Handel (1685‒1759): Dixit Dominus, HWV 232
Collegium 1704
Collegium Vocale 1704
Václav Luks (conductor)
Tereza Zimková (soprano)
Pavla Radostová (soprano)
Gabriel Díaz (counter tenor)
Ondřej Holub (tenor)
Tomáš Šelc (bass)
Tadeáš Hoza (bass)
Friday November 7th 2025 od 7:30 p.m.
NOSPR (Narodowa Orkiestra Symfoniczna Polskiego Radia), Wojciech Kilar Square 1, 40-202 Katowice
In Jewish tradition, circumcision was to be performed on the eighth day after a child’s birth, at which point the child was also given a name. From this derives the Feast of the Circumcision of Christ, celebrated on 1st January, which in Christian practice became known as the Feast of the Holy Name of Jesus. It is an exceptionally solemn occasion, marking the child’s initiation into the religious community and the renewal of the covenant between God and Abraham. This rich symbolism is perfectly embodied in Missa Circumcisionis (Mass for the Feast of the Circumcision of the Lord) by Jan Dismas Zelenka. Born in a tiny town to the south-east of Prague, the composer achieved his greatest success in the musical circles of Dresden. It was there that Missa Circumcisionis was composed as part of the liturgical celebrations of the New Year at the royal chapel. The work is distinguished by its exalted and jubilant character – Zelenka’s characteristic mastery of counterpoint – and the richness of its orchestration.
The programme of the Czech ensemble Collegium 1704, conducted by Václav Luks, is complemented by George Frideric Handel’s sacred cantata Dixit Dominus (The Lord said unto my Lord, where the ‘Lord’ refers to God and ‘my Lord’ refers to Jesus Christ). The work was composed during the young composer’s stay in Rome in his early twenties. Handel had departed for Italy rather unexpectedly, after his first operas written for the theatre in Hamburg had met with mixed responses. Due to the ban on operatic composition in the papal city, he turned to religious music, producing several significant works in which his dramatic streak is unmistakably present. One of them is the cantata Dixit Dominus, written for choir, soloists, and instrumental ensemble. It constitutes an impressive laboratory of musical ideas, some of which were to find full expression only a few years later in masterpieces such as Rinaldo and Agrippina.
A mother who kills her own children out of revenge.
Musical theatre project with words by Euripides, Franz Grillparzer and others, and music by George Frideric Handel, Marc-Antoine Charpentier and others.
In Italian, French and German with German and English subtitles.
Lisa-Katrina Mayer (Medea)
Johannes Bamberger (Jason)
Corinna von Rad (director)
Bach Consort Wien
Benjamin Bayl (conductor)
Sunday 1st March 2026 11:00am (introductory matinee),
Tuesday 17th March 2026 7:00 p.m. (premiére),
Thursday 19th March 2026 7:00 p.m.,
Saturday 21st March 2026 7:00 p.m.,
Monday 23rd March 2026 7:00 p.m.,
Thursday 26th March 2026 7:00 p.m.,
Saturday 28th March 2026 7:00 p.m.,
Monday 30th March 2026 7:00 p.m.,
Wednesday 1st April 2026 7:00 p.m.
Kammeroper (Chamber Opera), Fleischmarkt 24, 1010 Wien